Pathwise

Music Theory from Zero · Lesson 3 of 12 · 12 min

Note lengths and subdivision

Measure any rhythm in beats: whole, half, quarter and eighth notes, the rests that match them, and the "1 & 2 &" count that keeps them in place.

MEASURING RHYTHM

Rhythm is long and short, measured in beats

In lesson 1, rhythm was "the pattern of long and short sounds". Now we measure it. Every note has a length counted in beats, and each length has a name. With four names you can describe the rhythm of most songs you know.

In "Twinkle Twinkle", every syllable lasts one beat, except "star", which lasts two. That sentence is already a complete description of the rhythm.

NameLength in 4/4How many fit in one bar
Whole note4 beats1
Half note2 beats2
Quarter note1 beat4
Eighth notehalf a beat8
Dotted half note3 beats (a dot adds half again)fills a 3/4 bar

Cutting a pizza

A bar of 4/4 is a whole pizza. Cut it in two and you have halves. Cut again for quarters, and again for eighths. However you slice it, the pieces must add back up to one pizza. Where the analogy breaks: the names come from 4/4. In 3/4 a bar holds only three quarter notes, so a "whole note" is longer than the bar. What stays true everywhere is the ratio: a half note is always two quarters.

Check yourself

Nika writes out the first line of "Twinkle Twinkle" with one beat per syllable: Twin-kle twin-kle lit-tle star. Which set of notes does she need?

  1. Seven quarter notes
  2. Six quarter notes and one half note
  3. Six eighth notes and one quarter note
  4. Seven quarter notes and a whole note
Show the answer

Six quarter notes and one half note

Yes. Six one-beat syllables are six quarter notes, and "star" lasts two beats, which is a half note. 6 + 2 = 8 beats, exactly two bars of 4/4.

BETWEEN THE BEATS

Subdivision: "1 & 2 & 3 & 4 &"

Eighth notes are shorter than a beat, so you need a way to count between the beats. Musicians say "and": 1 & 2 & 3 & 4 &. The numbers are the beats, exactly where your foot taps. Each "&" falls halfway to the next beat, when your foot is in the air.

Tap your foot slowly and say "1 & 2 & 3 & 4 &" evenly. Foot down on the numbers, foot up on the "&". You are now counting eighth notes at the same tempo as before.

One bar of 4/4, filled four different ways.
A letter marks where a note starts; dashes show it still sounding.

count:     1   &   2   &   3   &   4   &
whole:     W-------------------------------
halves:    H-------------- H--------------
quarters:  Q------ Q------ Q------ Q------
eighths:   E-- E-- E-- E-- E-- E-- E-- E--

Output

1 x 4 beats = 4
2 x 2 beats = 4
4 x 1 beat  = 4
8 x 1/2 beat = 4

Clap each line while counting out loud. The count never changes speed. Only the number of claps per bar changes.

Check yourself

When a song switches from quarter notes to eighth notes, its tempo has doubled.

Show the answer

False

The tempo is the speed of the beat, and the beat has not moved. Eighth notes just put two sounds inside each beat. The music feels busier, but your foot taps at the same speed.

Rest

NOUN · RHYTHM

A silence with a length. Every note value has a matching rest: a whole rest, half rest, quarter rest, eighth rest. A rest takes up its beats in the bar exactly as a note would. The beat keeps going through it.

Clap on 1, 2 and 3 and stay silent on 4. That silence is a quarter rest, and the bar still adds up to four beats.

The stadium pattern: stomp, stomp, CLAP.

count:  1    &    2    &    3    &    4    &
do:     st   st   CLAP      st   st   CLAP

stomp = eighth note  (1/2 beat)
CLAP  = quarter note (1 beat)

1/2 + 1/2 + 1  +  1/2 + 1/2 + 1

Output

= 4 beats, one full bar of 4/4

Try it while counting out loud. The stomps sit on "1 &" and "3 &", and the claps land on 2 and 4. Nothing new starts on the "&" after 2 or after 4; the clap is still ringing there.

Check yourself

Omid is filling one bar of 4/4. He has written a half note and then a quarter note. He wants to finish the bar with eighth notes. How many does he need?

  1. Two
  2. One
  3. Three
  4. Four
Show the answer

Two

Right. 2 + 1 = 3 beats used, one beat left. One beat holds two eighth notes.

How to clap any written rhythm

  1. Start the count first

    Say "1 & 2 & 3 & 4 &" slowly and evenly for a bar before you clap anything.

  2. Clap only where a note starts

    A half note gets one clap, not two. The sound begins once and then lasts.

  3. Keep counting through long notes

    Hold your hands together while you count the remaining beats of the note.

  4. Count rests just as carefully

    Open your hands and say the numbers. The silence gets its full length.

Check yourself

Does this fill one bar of 4/4 exactly?

  • Two half notes
  • Three quarter notes
  • One half note and four eighth notes
  • A whole note and a quarter note
  • Quarter note, quarter rest, half note
  • Six eighth notes
Show the answer

Exactly 4 beats: Two half notes, One half note and four eighth notes, Quarter note, quarter rest, half note

Too short or too long: Three quarter notes, A whole note and a quarter note, Six eighth notes

Check yourself

Match what you hear to what it is

Show the answer
  • One sound held through a whole bar of 4/4 → Whole note
  • Two even sounds inside every beat → Eighth notes
  • Silence for exactly two beats → Half rest
  • The last "you" of "Happy Birthday" filling a 3/4 bar → Dotted half note

Lesson recap

  • In 4/4 a whole note lasts 4 beats, a half note 2, a quarter note 1 and an eighth note half a beat.
  • Count eighth notes as "1 & 2 & 3 & 4 &": numbers on the beat, "&" halfway between.
  • More notes per beat is not a faster tempo; the beat stays where it was.
  • Rests are silences with a length, and they are counted like notes.
  • Every bar must add up to its time signature. Long notes and rests are where beginners lose beats.

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All lessons in this course

  1. Beat and tempo
  2. Bars and time signatures
  3. Note lengths and subdivision
  4. Notes, the keyboard and the octave
  5. Half steps, whole steps and the major scale
  6. The minor scale and mood
  7. Intervals: the distance between notes
  8. Building chords: triads
  9. Chord progressions
  10. Keys and the circle of fifths
  11. How melody fits over chords
  12. Listen like a musician