Pathwise

The Art of Storytelling · Lesson 7 of 12 · 12 min

Openings that hook

You have a few seconds before a reader scrolls on. Learn to start late, open a question in the first lines, and make a promise your story can keep.

RULE ONE

Start late

Most first drafts begin with warm-up: the date, the weather, how you got there, some background "so you understand". That is you getting ready to tell the story. The listener doesn't need it. Start as close as you can to the moment something goes wrong or something is at risk, and feed in the background later, in small pieces, only when it's needed.

Warm-up: "It was 2019, and I was working at a travel agency in the city centre. I used to take the 7:15 bus every day…" Late start: "The customer put both passports on my desk and said, 'One of these is fake. Guess which.'"

A post about learning to swim at 35

Warm-up opening

I have always thought swimming is an important skill. For many years I wanted to learn but never found the time. Finally, last summer, I decided to sign up for a class at our local pool.

Late opening

The instructor was nineteen. The other students were six. I was thirty-five, standing in the shallow end in borrowed goggles, and I could not put my face in the water.

Check yourself

Reza's draft talk begins: "Good morning. My name is Reza, I've worked in logistics for eleven years, and today I'd like to share a story about a difficult delivery. It was a cold winter, as winters in Tabriz usually are…" His key moment is a truck of vaccines stuck in snow with four hours of cooling left. What should he do?

  1. Add a joke before the introduction to warm up the room
  2. Keep the opening but speak faster so he reaches the truck sooner
  3. Start with the truck in the snow and the clock running, then introduce himself
  4. Open with statistics about winter road closures in the region, so the room understands the problem is real
Show the answer

Start with the truck in the snow and the clock running, then introduce himself

Yes. Start at the moment something is at risk. Once people are worried about the vaccines, they'll happily hear who he is.

Hook

NOUN · STORY CRAFT

An opening that plants a question the listener wants answered. It doesn't have to be loud or shocking. It only has to leave a gap: something unexplained, something about to happen, two facts that don't fit together. People stay to close the gap.

"My grandmother kept one drawer locked for forty years." No explosion, no drama. But you want to know what's in the drawer.

1. "The day I was fired was the best day of that year, though it took me until December to see it."
2. "Omid had rehearsed the apology forty times. Now the door opened, and it was not her."
3. "There are two kinds of taxi driver, my uncle says, and he has been both."

Output

1 opens a gap between two facts that don't fit: fired, and best day. How?
2 starts late, at the door, and breaks the plan at once. Who opened it?
3 promises a voice and a bit of humour. What are the two kinds?
None of them explains itself. Each one leaves a question open.

Try reading each one and stopping. If you feel a small itch to continue, the hook works.

Check yourself

Match each opening to the question it plants

Show the answer
  • "I have eaten at my desk every day for six years. Last Tuesday, someone sat down across from me." → Who, and what did they want?
  • "The wedding was at five. At three, the groom was still on the roof." → Why won't he come down?
  • "My father taught me two things: how to fix a bicycle, and how to leave." → What happened between them?
  • "We had eleven customers in our first month. Ten of them were my cousins." → How did the business survive?

RULE THREE

The opening is a promise

Your first lines tell the listener what kind of story this is: funny or serious, small or large, what it's about. They settle in based on that promise. A funny opening on a story that turns out grim, or a mysterious first line that never gets explained, feels like a broken deal. Promise what you will deliver. You'll see in lesson 9 how the ending pays it off.

"The groom was still on the roof" promises light comedy with some heart. If the story then turns into a lecture on wedding costs, the listener feels cheated, even if the lecture is good.

Check yourself

"My grandmother kept one drawer locked for forty years" is a strong hook, even though nothing dramatic happens in it.

Show the answer

True

True. A hook only needs an open question, and that line plants one at once: what was in the drawer? Forced drama — a death, a crash, a shocking line — often promises more than the story can deliver. A quiet detail you can't explain does the same work without the debt.

Finding your real first line

  1. Write the draft as it comes

    Warm-up and all. Don't fight it; it helps you get going.

  2. Find the first sentence with risk in it

    Read down until something is wrong, surprising or at stake. It is often in the second or third paragraph.

  3. Cut everything above it

    Try the story starting there. It will feel abrupt to you and natural to everyone else.

  4. Return only what's missed

    If a listener would truly be lost without a fact, slip it in later in half a sentence: "…my boss, who had hired me a week before, …"

Check yourself

Hook, or warm-up?

  • "The email said 'Congratulations'. It was addressed to someone else."
  • "In today's fast-paced world, communication is more important than ever."
  • "Before I begin, let me give you a little background about our company."
  • "My sister and I have not agreed on anything since 2009, except this."
  • "It was a sunny Tuesday morning and I woke up at the usual time."
  • "The doctor closed the file and asked if I had come alone."
Show the answer

Hook: "The email said 'Congratulations'. It was addressed to someone else.", "My sister and I have not agreed on anything since 2009, except this.", "The doctor closed the file and asked if I had come alone."

Warm-up: "In today's fast-paced world, communication is more important than ever.", "Before I begin, let me give you a little background about our company.", "It was a sunny Tuesday morning and I woke up at the usual time."

Check yourself

Sara is writing a warm, funny post about her father learning to use a smartphone at seventy. Which opening fits best?

  1. "Technology has changed our lives in countless ways over the past two decades."
  2. "My father's first text message to me was eleven words long and took him forty minutes. I still have it."
  3. "What my father did with his new phone will SHOCK you."
  4. "Death comes for us all, and I think of it often when I watch my father age."
Show the answer

"My father's first text message to me was eleven words long and took him forty minutes. I still have it."

Right. It starts at a concrete moment, opens a question (what did it say?), and promises exactly the warm, gently funny story she's going to tell.

Lesson recap

  • Start late: as close as you can to the moment something is at risk. Cut the warm-up.
  • A hook is an open question, not a loud noise. Quiet gaps work.
  • Your opening promises a kind of story. Promise only what you will deliver.
  • Cheap hooks win a click and lose trust.
  • To find your first line: draft freely, find the first sentence with risk, cut what's above it.

Keep it, don't just read it

Pathwise brings each idea back just before you'd forget it, with a quick question. Free on Android and on the web, in English and Persian.

Cafe Bazaar Myket Open the web app

All lessons in this course

  1. Someone wants something
  2. Stakes: why should I care?
  3. Shape: beginning, middle, end
  4. Character is revealed by choice
  5. Show, don't tell
  6. Dialogue that sounds real
  7. Openings that hook
  8. Tension and pacing
  9. Endings that land
  10. Stories at work: pitches and presentations
  11. Telling your own story
  12. Editing: cut until it's sharp